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Floating Art ist eine innovative Augmented-Reality-App, mit der Nutzende dreidimensionale Kunstwerke direkt in die Luft zeichnen können – einfach durch Bewegung ihres Smartphones. Die erschaffenen Formen bleiben als schwebende, virtuelle Skulpturen im Raum bestehen und lassen sich anschließend aus allen Perspektiven betrachten und bewundern.

Die Anwendung wurde mit der leistungsstarken Unity Engine in Kombination mit ARCore entwickelt, um präzises Tracking und eine nahtlose Integration der gezeichneten Elemente in die reale Umgebung zu ermöglichen. So entsteht ein immersives Erlebnis, das kreative Ausdrucksformen im digitalen Raum neu definiert.

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Thesis","Dreidimensionale Typografie in der augmentierten Realität: Design, Standards und Lesbarkeit von räumlichem Text","

Titel

Dreidimensionale Typografie in der augmentierten Realität: Design, Standards und Lesbarkeit von räumlichem Text

Kurzfassung

Diese Studie befasst sich mit der Einbindung von räumlichem Text in Augmented Reality (AR) im Hinblick auf das Nutzungserlebnis (UX). Es werden Methoden vorgestellt, die zur Verbesserung der Lesbarkeit von Text in AR-Umgebungen beitragen können. Zudem wird in einem Experiment das Nutzungserlebnis verschiedener Textdarstellungstechniken untersucht, darunter Billboard-Textstile, Multi-Channel Signed Distance Fields (MSDF) und immersive 3D-Texte. Für die Durchführung des Experiments wurde die webbasierte AR-Anwendung GlyphQuest entwickelt. Die Ergebnisse verdeutlichen, dass räumlicher Text in AR-Szenarien sowohl die Lesbarkeit als auch das Nutzungserlebnis beeinflusst. Diese Studie könnte zur Erstellung von Gestaltungsrichtlinien für die Textdarstellung in AR beitragen und liefert Erkenntnisse zu technischen Ansätzen für die nahtlose Integration von räumlichem Text in AR-Umgebungen.

Forschungsfragen

Wie beeinflusst die Verwendung von dreidimensionaler Typografie in AR das Nutzungserlebnis und die Wahrnehmung von Textinhalten?

Welche Standards und Best Practices existieren bereits für die Gestaltung von 3D-Text in AR und wie können diese eingesetzt werden, um die Nutzbarkeit von AR-Umgebungen zu optimieren?

Welche Rendering-Techniken und Technologien sind erforderlich, um räumlichen Text darzustellen, sodass eine nahtlose Integration in die physische Umgebung ermöglicht wird?

Fazit

Diese Arbeit zur dreidimensionalen Typografie in Augmented Reality (AR) zeigt, dass räumlicher Text das Nutzungserlebnis je nach Anwendungsfall erheblich beeinflussen kann. Die Untersuchung ergab, dass 3D-Texte zwar visuell ansprechend sind und durch den Einsatz von PBR immersive Erlebnisse schaffen können, jedoch Herausforderungen hinsichtlich der Lesbarkeit aufweisen, insbesondere bei zu geringen Betrachtungsabständen. Eine Varianzanalyse zeigte Unterschiede in der pragmatischen und hedonischen Qualität zwischen 2D- und 3D-Texten, wobei sich 2D-Texte in Bezug auf Lesbarkeit und Benutzerfreundlichkeit tendenziell als vorteilhafter erwiesen. Allerdings sind diese Ergebnisse noch nicht durch eine ausreichend große Testgruppe quantitativ abgesichert.

Künftige Forschungsarbeiten sollten darauf abzielen, technische Einschränkungen zu überwinden und Methoden zu entwickeln, die sowohl eine hohe Lesbarkeit als auch ein immersives Erlebnis gewährleisten. Ein besonderer Fokus liegt dabei auf der Implementierung von Unschärfeeffekten in der Zwischenschicht von Billboard-Textstilen. Aufgrund technischer Herausforderungen und begrenzter Entwicklungserfahrung konnte dies in der eigens für diese Studie erstellten Anwendung GlyphQuest nicht realisiert werden. Insbesondere für mobile Geräte ist es essenziell, solche Effekte zu integrieren, ohne die Rechenleistung zu überlasten oder die Darstellungsqualität zu beeinträchtigen. Eine mögliche Lösung wäre die Entwicklung von Techniken, die eine dynamische Anpassung dieser Effekte an die verfügbare Hardwareleistung ermöglichen, um auch auf weniger leistungsfähigen mobilen Geräten eine flüssige und qualitativ hochwertige Darstellung sicherzustellen.

Zusammengefasst

Einfluss von 3D-Typografie auf UX — Räumlicher Text beeinflusst das Nutzungserlebnis je nach Anwendungsfall erheblich.

Lesbarkeitsprobleme — 3D-Texte bieten zwar immersive Erlebnisse, haben aber Lesbarkeitsprobleme, besonders bei geringen Betrachtungsdistanzen.

Vergleich 2D vs. 3D-Text — 2D-Texte schnitten in Bezug auf Lesbarkeit und Nutzbarkeit besser ab.

Ergebnisse nicht abschließend — Die Erkenntnisse müssen mit einer größeren Testgruppe validiert werden.

Technische Limitierungen — Unschärfeeffekte für Billboard-Texte konnten in GlyphQuest nicht umgesetzt werden.

Optimierung für mobile Geräte — Künftige Forschung sollte sich auf performante Effekte konzentrieren, die sich dynamisch an die Hardware anpassen.

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über mich","

Hej! Ich bin Thomas Kautz. Freut mich, dass du hier bist!

Computergrafik und Webtechnologien begeistern mich. Neben meiner Erfahrung in der Entwicklung von User Interfaces und der Erstellung immersiver Augmented Reality Anwendungen lege ich besonderen Wert auf ein visuell ansprechendes Design und ein gutes Nutzungserlebnis.

Wenn du mehr über mich und meine Arbeit wissen willst, schreibe mir einfach auf:

thomsjel@outlook.com.

Berufserfahrung

09/12/2024 – Heute

Graz, Österreich

WEB DEVELOPER bei PROBOTS GmbH

Als Web Developer übersetze ich die professionellen Konzepte unserer Designer:innen in Code.

17/05/2021 – 31/08/2024

Wien, Österreich

FRONTEND DEVELOPER bei STUDIO WEHOLO GMBH

Als Frontend Developer war ich in der Entwicklung von immersiven Erlebnissen mit Schwerpunkt auf Augmented Reality (AR) tätig. Dabei nutze ich WebXR, Three.js, Unity und AR Foundation, um interaktive AR-Anwendungen sowie Installationen mit Kameratracking, wie etwa mittels Kinect SDK, zu erstellen. Zudem entwickle ich 3D-Visualisierungen und interaktive Webauftritte mit Three.js, um fesselnde digitale Erlebnisse zu gestalten.

06/03/2020 – 15/05/2021

Wien, Österreich

MITARBEITER LOGISTIK KOMMISSIONIERUNG bei IKEA

Um mir neben dem Studium etwas dazuzuverdienen, arbeitete ich als Lagermitarbeiter bei IKEA CDC Wien Strebersdorf und war für die reibungslose Kommissionierung der Bestellungen verantwortlich.

15/11/2015 – 31/08/2019

Wien, Österreich

KONFERENZTECHNIKER bei BERNHARD AV GMBH

Als Konferenztechniker war ich für den Auf- und Abbau, die Betreuung und Durchführung von Konferenzveranstaltungen zuständig. Ich arbeitete ausschließlich in meinem Fachbereich der Tontechnik.

01/05/2013 – 17/04/2015

Gerasdorf, Österreich

TONTECHNIKER bei BALLOON RECORDS GMBH

In diesem Tonstudio habe ich zwei Jahre lang als Toningenieur gearbeitet, individuelle Aufnahmen gemacht und elektronische Musik produziert.

Tech-Stack

Diese Seite wurde mit folgenden Technologien erstellt:

Frontend

Remix, Three.js, Tailwind, Vite

Backend

WordPress

Weitere Tools

Blender, Photoshop

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für medizinisches Fachpersonal zur Erkundung und Lokalisierung von Gegenständen in einer neuen Arbeitsumgebung. ","

Kurzbeschreibung

MedRoomVR ist eine immersive Virtual-Reality-Trainingsanwendung für medizinisches Fachpersonal. In einer realistischen virtuellen Umgebung können Nutzende ihre neue Arbeitsumgebung erkunden und lernen, medizinische Instrumente effizient zu lokalisieren. Durch verschiedene Trainingsmodi – von freier Erkundung bis zu gezielten Challenges – soll die Einarbeitungszeit in kritischen Arbeitsbereichen wie Schockräumen oder Notaufnahmen verkürzt werden.

Vision

Das Ziel von MedRoomVR ist es, die führende VR-Anwendung für medizinische Umgebungstrainings zu werden und den Einarbeitungsprozess in neuen Arbeitsräumen durch realistische, gamifizierte Simulationen zu optimieren.

Kernfunktionen

Realistische Lernsimulation — Nachbildung eines medizinischen Schockraums mit originalgetreuem Layout und Equipment

Modular erweiterbar— Möglichkeit zur Integration weiterer Räume und Szenarien

Szenarienbasiertes Training — Nutzende können verschiedene vorgefertigte Szenarien durchlaufen

Performance-Tracking sowie Feedback — Fortschrittsverfolgung mit personalisiertem Feedback zur Kompetenzsteigerung

Flexible Nutzung — Training jederzeit und überall möglich

Zielplattformen

Meta Quest 2, Quest Pro, zukünftige VR-Headsets (Apple)

Tech-Stack

Entwicklung mit Unity, Einsatz von VRTK und Tools wie Blender

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Die Spielenden des Augmented-Reality-Spiels „Keepie-uppie“ müssen mit ihren Füßen einen digitalen Fußball jonglieren. Es ist als Spiel gedacht, das an öffentlichen Plätzen wie U-Bahn-Stationen gespielt werden kann, um die Wartezeit zu verkürzen und die Langeweile zu vertreiben.

Zu Beginn sehen die Spielenden sich selbst, ein Punktelabel in der oberen rechten Ecke, eine Rückmeldung, ob die Kamera den Körper erfasst oder nicht, in der oberen linken Ecke, zwei fast transparente Sprites an den Füßen und das Wichtigste, den Ball in der Mitte des Bildschirms. Um das Spiel zu starten, müssen die Spielenden vor dem Bildschirm stehen, auf dem das Spiel angezeigt wird. Durch Klatschen mit den Händen erhält der Ball Schwerkraft, fällt nach unten und kann jongliert werden. Für jede Berührung mit dem Ball erhöht sich die Punktzahl um eins. Wenn der Ball mit dem Boden kollidiert, wird das Spiel neu geladen und der Punktestand wird auf 0 zurückgesetzt.

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Der Bereich der 3D-Schriftgestaltung ist noch relativ unerforscht, bietet aber spannende Möglichkeiten für die Zukunft. Da aufkommende Technologien wie Augmented Reality (AR) und Virtual Reality (VR) die Art und Weise, wie wir mit digitalen Inhalten interagieren, weiter prägen, wird die Rolle der 3D-Typografie voraussichtlich deutlich zunehmen. Neben der traditionellen flachen Schrift bietet die dreidimensionale Typografie neue Möglichkeiten, dynamisch mit Text umzugehen, was sie zu einem wesentlichen Element für immersive digitale Erfahrungen macht.

Diese innovative Installation ermöglicht es den Nutzenden, individuelle 3D-Schriftzüge zu erstellen, die dann mithilfe webbasierter Augmented Reality nahtlos in ihre physische Umgebung integriert werden können. Durch Scannen eines gedruckten QR-Codes können die Nutzenden ihren Text zum Leben erwecken und ihn über ein Smartphone oder Tablet in ihrer Umgebung betrachten. Diese interaktive Erfahrung verschmelzt nicht nur digitale und physische Räume, sondern unterstreicht auch das kreative Potenzial von 3D-Schriften im modernen Design.

Die Installation wurde auf dem creators*forum im Designforum Wien ausgestellt, wo die Besuchenden die Möglichkeit hatten, die Schnittmenge von Typografie, Technologie und räumlicher Gestaltung aus erster Hand zu erkunden.

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